Our Artists - April 2026 Show

Shevaun Cuatriz

Shevaun is a Filipino painter recently graduated from Fine Art: Painting at UAL Camberwell. Her work follows two narratives; the observed world and herself, the observer. Having grown up in the North of Ireland as an immigrant, her practice is a vessel to seek out a sense of belonging in every place and anyone who passes through. 

Her paintings of her “observed” life often depict familiar city scenery and dreamlike nocturne memories. These hazy recollections are portrayed through oils layered in thin glazes, curious to the fleeting workings of light and its relationship to the unstable human temperament. Light often acts as a friend in this instability, its touch serving as a grounding and comforting presence. 

Conversely, Shevaun takes a more introspective and figurative approach to her paintings based in the analysis of self. This constant need for understanding and belonging eventually permeates internally, longing for a sense of connection in one’s own body. 

Nicole Di

Nicole is a British Chinese artist working across painting, printmaking and drawing. Her work considers nature's behaviour rather than its appearance. The Daoist notion of Change within Chinese philosophy alongside concepts of turbulence, and multi-dimensional space within modern physics, drives her interest in the points where nature's systems and rules begin to break down into speculation. Moments of unintentional coordination calibrate and recalibrate. Processes of erasure, folding, pouring, peeling and working on both sides of the surface, are used to open up the work to contingency, which for her, is a tool for a different kind of noticing.

She graduated in 2025 from Goldsmiths where she was awarded The Cass Art Materials Award and V22 Studio Scholarship. She recently had her first solo exhibition ‘Traces in Mist’ 2025 in Chongqing, China, after completing a two month residency at Organhaus and was shortlisted for the 2024 Cass Art Prize. Recent selected group exhibitions include ‘Memento Amoris’, Lido Stores, Margate 2026; ‘The Cass Art prize’, Copeland Gallery, London 2025 and 2024; ‘Summer Day’, Sillian Gallery, London 2025; ‘In Days of Heatwave II: Among the Hydrocommons’, Safe House Gallery, London 2024; ‘Revelation’, Harts Lane Gallery, London 2024; ‘Goldsmiths vs HFBK who will win?’, HFBK, Hamburg 2024.

Issy Heath

A 2025 graduate from UAL Camberwell, Issy is a multimedia artist working at the intersection of photography and oil painting. Her practice is narrative-driven and rooted in a personal perspective, exploring themes inspired by the bright, nostalgic colours of a 2000s childhood alongside a heightened focus on the domestic space. Artists such as Hilma af Klint, Gillian Carnegie, and Taewon Ahn influence my way of thinking; as a result, my work often adopts a surrealistic and subtly uncanny finish.

Her current work explores mindfulness across the past, present, and future, focusing on the small, immediate sources of joy, hope, and purpose in her life. These include what has brought her joy, what brings her joy now, and what may do so in the future, such as the coming of spring, self-expression, and her cats.

Elham Hemmat

Elham Hemmat is an accomplished visual artist whose work centres on abstract explorations of the human body. Holding an MA in Research in Arts and Design, she brings a deep philosophical approach to her creations.

Her ceramic works draw inspiration from ancient and tribal art, invoking Paleolithic and Neolithic imagery, mythological forms, and primordial representations of gestation and identity. Each piece is imbued with diverse patterns, textures, and vibrant colours, forming a symbolic language that celebrates human diversity and individuality.

Elham’s work has captivated audiences worldwide, with exhibitions spanning over 15 countries. Recent highlights include selection as one of the Top 10 artists at the 59th International Meeting of Naïve Artists in Trebnje, Slovenia (2026).

Her works are held in public collections, including the Mons Memorial Museum in Belgium and the Museum of Human Rights in Canada.

Nohana Sayama

Nohana Sayama (b.2003, Osaka) is a Japanese artist based in London, a recent graduate of Camberwell College of Arts, Fine Art: Painting. During her time at Camberwell, she developed her practice in watercolour. Raised in Singapore, India and Japan, she paints to journal her past, to record her existence, to have nameless characters observe her in silence. With the unconventional use of Gansai watercolour, she attempts to express her incomplete social-cultural identity. 

She recently won the Alexander Graham Munro Travel Award and the W Gordon Smith & Mrs Jay Gordon Smith Award at the RSW 145th Annual Exhibition 2026, as well as the Watercolour award at the CASS Art Prize 2025. 

She has also exhibited widely, including at World Art Dubai, the Affordable Art Fair, the London Design Festival, Art Jakarta Papers, the Other Art Fair, Royal Scottish Academy, Mall Galleries, Leeds City Museum and more. This year, she plans to join the Turps Spring Intensive course, the Palazzo Monti residency, and start her master’s course in Painting at the Royal College of Arts.

Gigi Tsim

Gigi is a Hongkonger artist based in London and a recent graduate of Camberwell College of Arts (BA Fine Art: Painting). Her practice explores migration and suppression through painted Hong Kong cityscapes shaped by personal and collective memory.

After exhausting her personal photo archive, she now uses Google Maps to revisit multiple temporal layers of the same streets, navigating the tension between documentation and imagination. Incomplete, fragmented scenes heighten the viewer’s ability to find familiarity within her cityscapes. Using landscape as a vessel for migratory grief, her low-saturated works hold what remains unsaid.

As her White Paintings series evolves, she introduces toned grounds as non-whites, departing from the literal use of white to convey blankness and decay while investigating traditional East Asian materials in relation to displacement, including Xuan paper, traditional pigments, bamboo scrolls, and red-white-blue fabric. Her recent work creates liminal spaces that situate viewers between estrangement and imagined comfort, seeking fragile balances between displacement, oppression, and belonging.

She has exhibited in London, including the Recent Graduates Showcase at Affordable Art Fair Battersea 2025, and multiple group exhibitions, such as Living Between Spaces, Memory and Belonging (Supermoon Gallery), and Archives in Absence. She is currently undertaking ongoing research supported by Cedric Morris Travel Awards (Ist Prize), focusing on the Korean Dansaekhwa movement and post–political turmoil cultural development. Her practice is painting-led and grounded in sustained studio-based work.

Tianxi Wang

Tianxi is a freelance artist based in London. After completing her degree in Illustration, she decided to expand her art practice into a wider field, including creating painting, illustration, and mix media works. Her work delves into the intricate interplay of personal emotions and the complex relationships between family, society, and the surrounding environment. Exploring themes of identity, memory, and connection, Tianxi creates paintings that reflect deeply personal yet universally resonant experiences.

Her practice grows from the fertile soil of familial memory, tracing invisible currents of tension and emotional residue within intimate bonds. Rather than direct narration, she weaves veiled dialogues between oil paint’s tactile density, the whispered conflicts of warm and cool tones, and archetypal domestic motifs. These elements coalesce into liminal spaces—part physical, part spectral—where concrete details dissolve into surreal atmospheres.

Tianxi’s process of painting is deeply meditative, serving as a way to externalize inner thoughts and feelings into visual narratives. These narratives strike a balance between the surreal and the tangible, offering a reflective space for viewers. By weaving lived experiences with cultural and environmental influences, Tianxi creates art that inspires a deeper exploration of the connections between individuals, their surroundings, and the emotions that lie beneath the surface.

Yin Wang

Yin Wang is an interdisciplinary artist working across painting, sculpture, and printmaking, with a background in fashion design. Her practice moves between figuration and abstraction, informed by her experience of living between cultures. Born in Nanjing, China, and having lived in Shanghai and Hong Kong, she graduated in Fine Art from The Art Academy. Her work offers poetic reflections on identity, familial bonds, and belonging.

Drawing on traditional Chinese visual and spatial languages, including ink practices, calligraphy, and material sensitivity, Yin approaches these references not as fixed symbols but as evolving structures that frame the construction, fragmentation, and reinterpretation of memory and identity. Materiality and colour play a key role: by combining rice paper, ink, painterly gestures, and layered constructions with culturally influenced colourways, she investigates how they can hold traces of time, accumulation, and erasure.

Currently, Yin is developing work inspired by Chinese garden architecture, emphasizing framed views, sequential movement, and layered spatial planes. Gates and windows function as thresholds, disrupting linear perspective and inviting an indirect, unfolding way of seeing. In these contemplative spaces, viewers encounter memory as non-linear, navigating shifting relationships between past and present, proximity and distance, and recognition and estrangement.

Our Artists - October 2025 Show

Maria Clemente

A 2025 graduate of Chelsea College of Arts, UAL, Maria creates oil paintings using personal archives and family photographs to explore themes of reconstructed memory, nostalgia, and home. Through the careful collaging of figures, spaces, and objects, she question perceptions of reality and belonging.

Influenced by Latin American muralism and vibrant color palettes, her work captures the nuances of her hazy and inherited memories of Venezuela, while symbolising the constant presence of Hispanic influences in both her paintings and personal life. She
invites viewers into a visual narrative that transcends spatial boundaries and serves as an act of remembrance, honouring personal and collective memory, and preserving spaces that no longer exist.

Emily Edgar

Anouk Mary Hope Fawcett

Anouk Mary Hope Fawcett graduated in FIne Art from Goldsmiths in 2025.

She is an oil painter, exploring the connection between the mind and the body, her paintings act as abstracted diary entries, representing moments of contemplation or turmoil. Her practice is an exploration of layers, the slow build up of depth helps reflect the meditative nature of her work.

Elin Jones

Elin is a Welsh artist with Finnish heritage and a recent graduate Fine Art Painting from Camberwell, UAL.

Her paintings express themes of childhood, memory and light often inspired by archived photographs of loved ones, capturing family generations and personal connections. These photographs inform her small-scale paintings embodying precious and sentimental moments, allowing her to reflect and recall these snippets in time. They show close relationships, friends and family, with images marked beyond the lens committing these memories to a painted form. She uses oil paint, varying between works on paper and works on board, using loose brushstrokes to depict a sense of a blurred memory, providing the viewer with comfort but also keeping an ambiguity as to where and who these figures are.

Many of her pieces are influenced by her Finnish relations, and many summers spent in Finland with her family. They move between figures in landscapes and interior spaces but unify in a focus on light and colour, reflecting her personal experiences and how she identifies with both her Welsh and Finnish roots.